D’apres Hilda Lopez

This painting titled “D’apres Hilda Lopez” by Linda Kohen presents a striking and somewhat unsettling image focused on two hands.

The composition is dominated by two pale, outstretched hands emerging from the bottom of the frame. They appear to be pressing against or reaching up towards a dark, curved surface that fills the upper portion of the painting. This creates a strong contrast between the light skin tones of the hands and the deep, shadowy background.

The hands are rendered with careful attention to detail, showing the creases of the palms and the subtle shading that gives them a three-dimensional quality. They are positioned symmetrically, one on each side of the painting, with the palms facing the viewer. This positioning gives the impression of someone reaching out, perhaps in supplication or distress.

The background has a textured, almost fabric-like quality, with variations in the dark tones suggesting folds or creases. This could be interpreted as a representation of clothing, perhaps a garment worn by the figure whose hands we see.

The title “D’apres Hilda Lopez” suggests that this work is inspired by or based on the work of another artist named Hilda Lopez. The phrase “d’apres” is French for “after” or “in the style of,” commonly used in art to indicate a work that references or pays homage to another artist’s creation.

Overall, the painting evokes a sense of confinement or struggle, with the hands seemingly pressing against an oppressive darkness. The stark contrast and limited color palette contribute to the painting’s emotional impact, creating a mood of tension and perhaps desperation.